Monday, July 28, 2014

SHADES OF LICHEN

Emily Gherard. Click here to see website.

This post has been in the works for over a month but I'm in the midst of helping my daughter to plan her wedding so I haven't quite brought the post together yet. I've decided to share the images anyway before taking a break until the second half of September. 


Armin Mersmann. See more here

These are the colours I've been wallowing in .....


Photo by Armin Mersmann.

Shades of lichen .......

 Lichen by artist, Susannah Blaxill. See website here


Leon Zack

Christian Hertzel


David Nash

Lawrence Carroll


Jennifer Lee


Eunice Kim

Sunday, July 6, 2014

FOX

Lucian Freud with fox cub. Photograph by David Dawson, Freud's studio assistant. See more here.

Having just celebrated our 39th wedding anniversary I decided to dedicate a post to my dear husband who I fondly referred to as M.A. Fox, throughout our courting days. There is a story behind his nickname.... of course.
Fox Hunt by Ken Roko. See Etsy Shop, here.

One of the poems we had to learn at school was John Masefield's Reynard's Last Run, a poem about fox hunting which I found upsetting. When M, a complete stranger, sat down next to my desk during the first week of my first job (I was 18 and he was 28) he was not to know that I disliked the poem. He proceeded to recite one of the many verses of Reynard the Fox to me. If it hadn't been for his spectacular heart-fluttering grin and the fact that I was intrigued by this stranger's unusual pick-up line I would have turned away in embarrassment. The office secretary had warned me that a "playboy" had seen me waiting for my interview  a month earlier and that he would be back to meet me when I started work. I worked in Town Planning on the 12th floor and he worked in staff section on the 3rd. He waited a few days for me to settle in before introducing himself and returned daily to recite a few more lines from the poem as a prelude to conversation.

On a day I wore a blue dress....

"In the bottom below a brook went by.
Blue, in a patch, like a streak of sky."

.... though he assures me that it was the red dress that captured his heart.... and he was hugely impressed that I was familiar with his favourite poem.


Rien Poortvliet   (Remember the book Gnomes?)

Many of these quotes have become part of our lives. What I didn't realize then was the poem had 339 verses. At school we had studied a portion of the poem which ended on a question mark. Had the fox reached safety? It was highly unlikely but I was relieved to discover that the fox had in fact survived and as the years have gone by we have read and re-read all 339 verses and many of the lines have become my favourites too.


Walrus ivory Fox. Punuk or Thule, Princeton University Art Museum

The air blew rank with the taint of fox:
The yews gave way to a greener space
Of great stones strewn in a grassy place.
And there was his earth at a great grey shoulder
Sunk in the ground, of a granite boulder
A dry deep burrow with rocky roof,
Proof against crowbars, terrier-proof, 
Life to the dying, rest for bones.
The earth was stopped; it was filled with stones.
Then, for a moment, his courage failed.
His eyes looked up as his body quailed,
Then the coming of death, which all things dread,
Made him run for the wood ahead.

-  Reynard the Fox by John Masefield. 
See whole poem and info here


Textile sculpture by Elisabeth Higgens O'Connor . Click here for website

Robert Janz. See more here

Martha Dimitropoulou (pine needles)

 Red Fox by Renee Harris (embroidery, fabric, rice paper). Click for website

Fox Scarf by Sarena Huizinga. Click here.


Nighttime Garden Fox, hooked rug by Dulcy Stewart. Click here.


A Skulk of Foxes by Lawrence Cox. Click


Erica Salcedo. Website here  and blog here

Sunday, June 15, 2014

STRANDLOPER


The name STRANDLOPER is an Afrikaans word meaning "beach walker". It is a term for San-derived people who lived by hunting and gathering along the sea shores of Southern Africa from prehistoric times until the second millennium AD. The term has been extended to refer to present day beach combers.





While we were on holiday in the eastern cape we came across many middens. One of them was particularly old and high. It formed a bank covered with grass but a landslide had ripped the bank open to reveal  layer upon layer of shells at eye level. I did a little research and came across this post about Strandloper middens.

"... these piles of shells are often thousands of years old, and represent the last signs left by the Strandloper people, who belonged to the larger communities of either San or the Khoikhoi.... "

"The women would find some place in the dunes that was protected from the wind, and transform it into the family kitchen. They would shuck the shells and often prepare the food here as well. Pottery shards found at the midden sites indicate items of Stone Age crockery." - Chris Marais


At home after our holiday  I was inspired to create my own version of Strandloper based on blissful days spent gathering pebbles and driftwood.

Sunday, June 8, 2014

OH MY HAT!


Having been inspired by Billy Collins and an artist who loves hats I couldn't resist blogging  about it. The artist is John Caple. 






I'm captivated by his mysterious paintings. There's a stillness about them that appeals to me.



Mary Miers wrote a charming article about him here. She interviewed him in his sitting room, darkened by half-pulled curtains and lit by candles. This and the fact that he paints at night in the lamplight made me think of the Billy Collins poem about Goya who fashioned a hat with candles around the brim to wear when painting at night.


Photo from the 1999 film Goya en Burdeos

CANDLE HAT by Billy Collins

In most self-portraits it is the face that dominates:
Cezanne is a pair of eyes swimming in brushstrokes,
Van Gogh stares out of a halo of swirling darkness,
Rembrant looks relieved as if he were taking a breather
from painting The Blinding of Sampson.

But in this one Goya stands well back from the mirror
and is seen posed in the clutter of his studio
addressing a canvas tilted back on a tall easel.

He appears to be smiling out at us as if he knew
we would be amused by the extraordinary hat on his head
which is fitted around the brim with candle holders,
a device that allowed him to work at night.

You can only wonder what it would be like
to be wearing such a chandelier on your head
as if you were a walking dining room or concert hall.

But once you see this hat there is no need to read
any biography of Goya or to memorize his dates.

To understand Goya you only have to imagine him
lighting the candles one by one, then placing
the hat on his head, ready for a night of work.

Imagine him surprising his wife with his new invention,
he laughing like a birthday cake when she saw the glow.

Imagine him flickering through the rooms of his house
with all the shadows flying across the walls.

Imagine a lost traveler knocking on his door
one dark night in the hill country of Spain.
"Come in," he would say, "I was painting myself",
as he stood in the doorway holding up the wand of a brush,
illuminated in the blaze of his famous candle hat.



Oh my hat  ~ An expression of extreme emotion, used by those who retain the presence of mind to avoid causing offence by saying "Oh my God".    -   Urban Dictionary

Saturday, June 7, 2014

MORE FROM FILLINGDON


Oh I hope you don't think I'm blasting my own trumpet but Debs wrote such a lovely article on the FILLINGDON FINE ART website . If you feel you can possibly read any more about me follow this link. I forgive you if you've had enough :-) 

Thursday, June 5, 2014

FILLINGDON FINE ART


I'm pleased to announce that my work can now be found at a beautiful gallery in the Uk.





The present exhibition @
FILLINGDON FINE ART
Fillingdon Farm, Piddington, High Wicombe

SUMMER SELECTION 2014
opened on 31st May
and continues through to
28th June



The 300 year old beamed barn provides a modern yet historical setting for paintings and ceramics, whilst the sculptures look striking against the backdrop of the rolling Chiltern Hills of Buckinghamshire.




Meet Debs Digby, charming owner of Fillingdon Fine Art. I was lucky enough to meet Debs this year during her annual visit to Africa.  She breezed in to our home like a breath of fresh air and by the time she breezed out again I was totally under her spell. Debs takes great pride in personally meeting all the artists to discuss their art and what inspires them.  
Click for website here

Saturday, May 24, 2014

EVERYTHING SHINES IN THE MORNING LIGHT


An idyllic week at the wild coast


We had Long Beach to our selves every day
Not another soul to be seen


 Hours of walking, fishing  and foraging







I'm drawn to the broken shells
especially the black turbans 
which peel back to reveal spirals of rust



BREAKAGE by Mary Oliver

I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of clam,
the opened, blue mussels,
moon snails, pale pink and scarred --
and nothing at all whole or shut, but battered, split,
dropped by the gulls onto the gray rocks and all the moisture
gone.
It's like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
full of moonlight.

Then you begin, slowly, to read the whole story.



Our room had a little garret above it
which we named the eagle's aerie
We did a lot of holiday reading there


 I savoured Donna Watson's exquisite book
The Beauty of Nothingness



lost myself in several novels



admired nature close up



 lulled by the tranquility of our surroundings.




"Of course reading and thinking are important but, my God, food is important too."  -  Iris Murdoch, The sea, the sea